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There’s a much wider range of prime lenses with a fixed focal length available for the Sony Alpha 7 series. What are the major differences, aside from the price? The Sony Vario-Tessar T* FE 16-35 mm f/4 Zeiss Lens is a great choice for a wide-angle zoom lens. As far as image quality goes, the Zeiss Loxia 21mm will not disappoint. The sensor on full-frame cameras is the same size as a 35mm film frame, while APS-C format cameras have a sensor that’s smaller, measuring around 23.5×15.6mm. You can use both kinds of lenses on your crop sensor, but never use a lens rated for a crop sensor on a full frame camera! Weight: 18.3 oz. Welcome to our Darkroom! Fantastic contrast and resolution are sustained throughout all the image corners and at all apertures. Sony FE 50mm f/1.8. For those who want a little more reassurance, we recommend keeping your camera covered by one of the many protective covers available. Primes are the fastest type of lens, reaching f/1.4 for Sony FE, while some cheap zoom lenses have a maximum aperture of f/4 or slower. If you already own Canon, Nikon, or third-party lenses, you can buy a separate adapter for your Sony mirrorless camera. For Sony's full-frame mirrorless cameras, Zeiss dominates the landscape and calling that "third-party" is stretching it a bit (the relationship between Sony and Zeiss is quite close). Using adapters with full Auto capabilities also add various line up from other camera systems into the mix. The brand has consistently delivered excellent optics at a fraction of the costs vs. brand names. It’s a tough call between the 16-35mm f/4 and the f/2.8 GM below. In addition, Sony recently released the 200-600mm f/5.6-6.3, along with 400mm f/2.8 and 600mm f/4 primes. Breb, Maramures. In addition, the Sigma isn't completely weather sealed, although it does feature a surface treatment and rubber sealing at the mount connection point, instilling a bit more confidence for those venturing into tough conditions.See the Sigma 85mm f/1.4 Art. 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SENSOR. There’s some slight vignetting unless you stop it down to f/2.8, but it’s not an adverse effect. Sony also claims that the Alpha 7C is … SELP28135G (14 14) E-mount, Full Frame format; Sony G standard zoom lens; Designed for professional movie shooting; Select to compare. Cons: Limited coverage and not as fast as the f/1.4 version. Tamron 17-28mm f/2.8 Di III RXD Lens. The truth is that you can’t go wrong with either, but we prefer the smaller size and lower price of the f/1.8.See the Sony 55mm f/1.8. Editor’s Rating: 4.4/5. Find the right DSLR lens for every photographic opportunity. For Sony FE, first came the mediocre Sony 28-70mm f/3.5-5.6, then the decent Sony 24-70mm f/4, but neither was up to professional standards at this crucial focal length range. This would make a perfect companion lens for travel as it fast, quiet, and very compact. The first is versatility: it’s only worth spending the roughly $1,700 if you plan on using it frequently (and know how to, which is another challenge). But, it will cost you an additional $800, weighs you down more and will take over more space in your bag. In most, if not all, situations, this lens is more than adequate enough. You'll get more hunting than with Sony's native lenses and the Sigma can have a hard time locking in, which can be quite frustrating when shooting moving subjects. Enter the 100-400mm f/4.5-5.6, which is another premium lens in Sony’s heralded G Master lineup. The Sony 24-240mm f/3.5-6.3 does cover a healthy range of focal lengths from wide angle to telephoto—it’s the only lens on this list that does so. It’s great for capturing normal everyday things like a stroll down a street in Paris or capturing fast-moving street scenes in New York’s Central Park. The under $800 price tag means you’ll have more money for travel. New Delhi: Sony India today announced an impressive addition to their imaging line-up, the Alpha 7C full-frame camera (model ILCE-7C), the FE 28-60mm F4-5.6 (model SEL2860) zoom lens. Buy. You would be hard-pressed to find the Sony f/4 lacking in performance – It can efficiently produce professional quality images. The best adapter for Canon to Sony FE, for example, is $395 and is on its fifth rendition to date plus firmware updates. The lens is sharp and considerably cheaper than its brand name counterpart. Weight: 6.6 oz Sony tried with the Sony 28-70 mm f/2.5-5.6 and the slower Sony 24-70 mm f/4, but both aren’t up to snuff with the any of Canon or Nikon’s offerings. Finally, the lens does not take screw-on filters due to its bulbous shape. Sony made a big splash with the release of the speedy a9 camera body, but they needed the telephoto lenses to match. Its advanced optical design includes 5 aspherical elements and 1 ED glass element for reduced chromatic and spherical aberrations in a compact design. The lens is super sharp, focuses quickly and accurately, and produces creamy bokeh. This will effectively tell the camera not to use the data from the entire full-frame sensor, but rather extract an APS-C-size crop from it. Six Stunning Destinations to Visit where it’s Not Crowded, Peace in La Paz, Mexico – Personal Musings of A Gringo, Where To Stay In Buenos Aires | The Best Places and Neighborhoods, Georgia Travel Guide: The Shangri-La of Caucasus, Where To Stay In Paris | The Best Neighborhoods, The Best Lenses for Sony a6000 Series (a6300, a6500, and a6400). Type: Super Telephoto The f/4 version described above is a top-notch lens in its own right, creates better sunstars, and saves you about $900 in cost and nearly 6 ounces in weight. Similar to Canon’s “L” series, Sony “GM” lenses are the best of the best. What we like: Super sharp, lightweight, … Aside from focal length, maximum aperture is one of the most important decisions you’ll make when choosing a lens. A handful of years ago, Sony released its first “GM,” or Grand Master, lenses, which are the premium full-frame zooms for Sony mirrorless. It’s a tough call between this and the Batis 18mm above, which has autofocus and is wider from a focal length perspective but offers similar overall image quality. On a compact camera like the Sony a7R IV, it definitely can feel like a bulky piece of glass. Your email address will not be published. Category: Wide angleWeight: 24 oz.What we like: Superb optical performance overall.What we don’t: Pricier and heavier than the f/4 version above. Designed for the Sony full-frame sensor powered cameras, the Sony FE 28 – 70mmis a wide zoom lens. This means that adapters can be created to allow almost a limitless line up of lenses, both from Sony and other manufacturers, are adaptable to the A7 series. Thank you! Impressively, the 100-400mm f/4.5-5.6 is roughly the same size as the 70-200mm f/2.8 above and comes in reasonably light for a lens of this type at “just” 49 ounces. Before Sony’s release of its flagship 16-35 mm f/2.8, I’ve been using the Tamron A-mount SP 15-30 mm f/2.8 Di USD Lens with an integrated electronic adapter. You get a whole lot of sharpness and bokeh for an f/1.8, and autofocus is excellent. Unfortunately, the image quality of this lens leaves us wanting. I earn a small commission if you use my links to purchase a product at no extra cost to you. Third parties also sell lenses for the Sony system. Cons: Doesn’t cover as much as the 24-240 mm. Compatibility: A-Mount lenses including SSM, SAM, and motor-less lenses; 35mm Full-Frame cameras with E-mount lens system; Dimensions (Dia x L): 2-5/8 x 1-1/4 inch / 66.0 x 31.7 mm; Weight (approx. Regardless of whether you prefer Sony's more expensive native lenses or Sigma's cheaper third-party models, it's great to have more options. In addition, the weight of 15.2 ounces is quite respectable for a zoom lens of this type, which is less than half the f/2.8 GM. More, the 55mm f/1.8 is considerably lighter than the 50mm f/1.4 (9.9 ounces vs. 27.4 ounces). Last but not least, many landscape photographers generally shoot in good natural light and don’t need the extra stop of aperture (it’s generally much less important than with an indoor lens). Category: PortraitWeight: 13.1 oz.What we like: Super sharp, lightweight, and a great value. The lens is sharp at all corners with a little bit of distortion – as what comes typically with super-wide-angle zoom lenses like these. This manual focus cine-style lens for full-frame Sony E-Mount cameras weighs in at around a pound and covers full-frame sensors with a fast f/1.2 maximum aperture for shallow depth of field. The majority of my top-selling stock photos are shot with the 24-240 mm, and it’s the lens I pick up most to compose a shot before switching to a different lens (if I do). Category: Travel/portraitWeight: 15.2 oz.What we like: Versatility at a good price point. Category: TelephotoWeight: 52.2 oz.What we like: Pro-grade image quality and build.What we don’t: Super heavy and expensive. Amateur photographers often are attracted to the convenience of all-in-one lenses, and rightfully so. All-around lenses are in the middle of the spectrum in terms of usability. Unlike most lenses of these types in the DSLR domain, the stabilization motor is built inside the camera body, not the lens itself, which is a huge bonus. If you’re in a big crowded city, this lens knows no bounds and just fun to shoot with. It’s tough to come up with something bad to say about the Sony Distagon T* FE 35 mm f/1.4 ZA. See the Sigma 35mm f/1.4 Art. The answer is that both are fine choices, but the f/4 is the more practical option for most people and uses. The lens features a constant f/2.8 across all focal range, making it great for low light situations. Because of Zeiss’ stellar reputation in optics, these are highly regarded lenses that can go head-to-head with just about anything on the market. What are the downsides of going this route? Free Travel Photo – Old Town Tallinn Estonia, Camano Island State Park | An Awesome Campground, Photo of the Day – Seattle Space Needle & Mount Baker, Photos of the Day – A Man and His Best Friend, Photo of the Day – Tirana (Albania) Skyline, Photos of the Day – Rousanou Monastery of Meteora, Save money from epic photography gear guides and round-ups, Learn to travel better and longer from travel tips and resources, Get free travel photos and other freebies, We don't like SPAM so you won't get any from us, @2020 - Always Wanderlust. Compared to Canon's EF-mount lenses or Nikon's F-mount lens offerings, there still are fewer FE options of both types at this time (Sony is catching up, however). Category: Wide angle/travelWeight: 7.1 oz.What we like: Bargain basement price (for an FE lens).What we don’t: Slightly awkward focal length. This tiny lens delivers massive performance for a fraction of the price. The FE 100-400 mm f/4.5-5.6 is one of the best telephoto Sony E Mount Lenses that bears the “GM” G Master line-up from Sony. Stay like a local! 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Note that any APS-C (Sony E) lenses will have a 1.5x crop automatically applied by a full-frame camera by default. MSRP: $900 Pro Tip: Check out What’s In My Camera Bag, if you’re interested in my current camera gear choices! However, from an optical standpoint, this lens just doesn’t stack up. The lens is compatible with APS-C sensor powered camera systems as well. The Rokinon 35mm F1. Argentina Travel Guide | By Car, Train, or Foot (How to Do it Right), How to Catch Mistake Fares & Save $190 (on Average) on Tickets, How To Have A Travel Budget – Realistic Plan You Can Stick To. However, Sigma recently released Sony FE mount versions of many of their "Art" lenses (our favorite is the 85mm f/1.4 Art) and plan to continue rolling more out. See the Sony 100-400mm f/4.5-5.6 GM. These issues aside, it’s a really fun ultra wide that compliments the 24-70mm f/2.8 nicely in terms of focal lengths.See the Sony 12-24mm f/4. As part of Sony’s G Master series, the 16-35 mm f/2.8 is the top of its class with fast and quiet autofocus and weather sealing. Weight: 24 oz. For a workhorse lens for travel and everyday use, the 24-105mm is a great option. Most … The 28mm f/2 certainly isn’t targeted at professionals, but it’s great for those getting started on a budget. So far, there have been some complaints about the speed and accuracy of the autofocus in a few of the Art series lenses, but that likely will be mitigated by Sigma in future firmware updates. $2,399.99. Cons: Some distortions and slower than the optically superior f/2.8 version. When mounted on a crop sensor camera, the lens’ focal length becomes the equivalent of a 42 – 105mm mounted on a 35mm camera. In short, aperture is the size of the lens opening through which light passes, and it impacts just about everything related to image quality: bokeh, depth of field, and sharpness. It takes most decision making and lens switching out of the equation. Pro Tip: If you’re interested in a smaller form factor camera like the Sony a6000 series, check out our guide – The Best Lenses for Sony a6000 series. Type: Super Wide-Telephoto There are still a few things that Sony needs to fill-in, such perspective correcting (tilt/shift) lenses category – I know it’s very specialized, but T/S lenses are something I truly enjoyed using in Canon and Nikon’s systems. The lens has a quiet and high-speed internal motor for the focusing system and has a manual aperture ring made for photographers who shoot videos. It’s true that the FE lens options for Sony still are more limited than the offerings for Canon and Nikon cameras, but the collection is growing and far more impressive in 2020 than even a year ago. Category: Wide angleWeight: 18.3 oz.What we like: Great optics and sunstars at a reasonable price and weight. Having started following your work, I have become particularly interested in photography as I have gained a lot information-wise. Regarding optical performance, it’s not the best in the market. And while we want to like this lens, it just doesn’t quite do it from an image quality perspective. Here’s the complete list of all Sony’s Line of E Mount Lenses. Pros: Very sharp, very fast, very light, and very cheap I use. The first is price—$2,000 makes it considerably more costly than either the Canon 24-70mm f/2.8 or Nikon 24-70mm f/2.8. But apart from the one stop slower aperture, the lens has everything else that the f/2.8 lens above has. You will have to judge for yourself if the slight advantage in sharpness is worth the weight and extra costs. If you find yourself shooting at a specific focal point than any other then perhaps a prime is ideal since you get the added benefit of a few stops in speed and likely much more superior optics. The tipping points for us have been cost and weight: the f/4 is considerably cheaper (around $900 at the time of publication) and weighs nearly 6 ounces less. Its sleek design makes it well-suited for everyday shooting, while the fast f/1.8 maximum aperture benefits working in low-light conditions as well as offers increased control over depth of field for selective focus imagery. Unfortunately, the two available options from Sony are either a bit underwhelming (the 35mm f/1.8) or overpriced (the 35mm f/1.4). Weight: 49.3 oz So sharp and the coverage is huge. The 24-70mm f/2.8 GM is the lens that made Sony’s full-frame mirrorless cameras truly competitive with Canon and Nikon. Interestingly, Sony mentioned in its GM press release that these lenses, “will inspire and ‘wow’ photographers and videographers for years to come.” People in the industry report that Sony is working on an 80-megapixel camera next that shoots 6K video, and that GM lenses have been tested on and were built to match that powerful of an image sensor. If you have an extra $2,000 to spare and don’t mind carrying a behemoth, then you can’t go wrong with this optic. The mirrorless design of the A7 cameras allows a short flange distance between the sensor and the rear lens element. The maximum aperture of the lens is f/3.5 when fully zoomed out and stops down to f/5.6 when zoomed in at its tele end. Sony FE 85mm f/1.4 GM. It's also worth noting that Sigma lenses generally are bulky and heavier than the field, but the cost savings and performance are what catches most people's attention. ): 3.1 oz / 88 g If you’re hand-holding with your camera, you might do better with the f/2.8 version – which is an optically superior lens. ), the larger the opening and the more light can enter. It’s also heavier than either of those two lenses at a whopping 31.3 ounces. Not so much! I’ve had a chance to see the Sony FE 24-105 mm f/4 in action and I was blown away! Sony has unveiled a new compact size full-frame camera in India today in the Alpha series. Indeed, you’ll be torn apart fussing at all the minute details and differences. It’s a loaded lens that’s made for professionals and serious hobbyists alike. BEST IN CLASS: Sony FE 24-240 F3.5-6.3 OSS Lens | Price: $998 Full-frame E-Mount telephoto zoom lens with the versatility to stretch from true wide-angle to super telephoto perspectives. Oh thank you! Simply put, this lens is stunning in terms of performance. Additionally, both of these lenses offer image stabilization, which proves to be incredibly useful when utilizing the higher ends of these focal lengths. You always can walk closer to your subject to mimic a 35mm or 50mm lens, but 28mm certainly wouldn’t be our first choice. Weight: 22.3 oz. Pros: Huge coverage for travel and can be your one and only lens Zeiss lenses in particular are known for being able to withstand the elements. Travel Anxiety: What are the Pre-Trip Jitters & How Can We Tame Them? 28mm is narrower than we prefer for big landscape shots, yet a little wide for travel photography and portraiture. Filter thread: 77 mm However, zoom lenses tend to be slower, bulkier, and heavier than primes. Third-party lenses abound for full-frame DSLRs, including from brands like Sigma and Tokina. Other wide-angle prime options from Zeiss include the 21mm Loxia, but that lens is manual focus and not quite as wide as we prefer for landscapes.See the Zeiss Batis 18mm f/2.8, Category: Travel/portraitWeight: 23.4 oz.What we like: Super sharp and way cheaper than the Sony equivalentWhat we don't: Autofocus is slightly slower than the Sony 35mm f/1.4. And realistically, the large focal length range of the 24-240mm means that it's lacking in pro-level optics. The lens is also built for the rigors of travel with a moisture-resistant fluorine coating to protect against dust, dirt, smearing, and weather sealed. Exploring Buda – The Classy Half of Budapest, A Day in Eger: Of Turks, Castles, Beautiful Women, and Wine. Enjoy full frame features on cameras with fast autofocus. A Mount E Mount. E-mount, Full Frame format; Sony G standard zoom lens; Designed for professional movie shooting; FE PZ 28–135 mm F4 G OSS. The mirrorless revolution is in full swing. Best Sony Full Frame E Mount (FE) Lenses.Here is the ultimate Sony FE-mount lens guide for you – We pick the best FE-mount lenses for Sony full-frame mirrorless cameras (Sony a7RII, a7SII, a7II, a7R, a7S, a7) including leading prime and zoom options from wide-angle to telephoto. The result is that you should choose your zoom carefully and probably avoid some of the older models like the 28-70mm f/3.5-5.6 and 24-70mm f/4. What are the downsides of the Sony 12-24mm f/4? Interchangeable lenses for the Sony E-mount digital camera series with full-frame image sensors are added as members of the Art line. You would have to pixel peep a lot to tell a shot taken from this lens vs. a shot that was made from a $3,000 prime lens. As of fall of 2020, there are ten GM lenses to choose from: the 16-35mm f/2.8 GM, 24mm f/1.4 GM, 24-70mm f/2.8 GM, 85mm f/1.4 GM, 100mm f/2.8 GM, 135mm f/2.8, 70-200mm f/2.8 GM, and 100-400mm f/4.5-5.6 GM, 400mm f/2.8 GM, and 600mm f/4 GM. This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. Type: Wide-Telephoto In addition, the lens is reasonably light at 11.6 ounces and built to last. For our top “normal” lens for Sony full frame, it was a close call between the 55mm f/1.8 and the 50mm f/1.4 below. In the worst case scenario, you can always contact Sony's Pro Support (if you qualify for and are approved for the program), and they'll do their best to repair it. If you already have a line of lenses from other mounts, you should consider going the adapter route. We think you can’t go wrong with either, and for those who specialize in wide-angle photography, a Zeiss prime is a real treat.See the Zeiss Loxia 21mm f/2.8. 20 FREE High Resolution Travel and Landscape Photos! However, it didn’t take long for Sony to come up with a wide selection of optics for the A7 Series such as the Alpha A7R III (and the venerable Sony A7 III) to win the hearts of many travel photographers, myself included. All things considered, it’s the real deal at 50mm. I Got Scammed At Sacsayhuaman In Cusco, Peru! Full-frame cameras are the best of the best: they have the largest sensors, the most megapixels, and lenses that are simply unmatched. Full Disclosure: I am part of the Amazon and B&H affiliate program. There are more than 50 prime lenses for E-mount full frame. On the other hand, Sony E-mount (APS-C) lenses are not compatible on Sony full-frame cameras. Sony FE 28mm f/2. In terms of options, the biggest point of differentiation between the Loxia and Batis series is that the former is manual focus only. With all of this, keep in mind the old cliché, "tools not jewels." All things considered, it may be the best 24-70mm f/2.8 on the market from any brand. Pros: Very portable and lightweight without sacrificing optics And you will be sacrificing low light performance and depth of field with the aperture maxing out at f/4. Lenses are less at risk from the elements than camera bodies, but still can be negatively impacted by dust, moisture, and all of the things that can happen while shooting in extreme environments. We personally find that a quality 16-35mm goes wide enough for most uses, but there certainly is demand for a true ultra wide and Sony answered the call. And optical performance from the f/4 version is great overall: the lens is sharp, has reasonable levels of distortion, creates excellent sunstars, and boasts a weather-sealed build for protection from the elements. How much of a sacrifice? Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. Weight: 13.1 oz. You would also need to fork up for bigger filters as the thread mount is at 82  mm. E 30 mm F3.5 Macro. For wide-angle specialists who love pushing the limits, this is your lens. For those looking to try out astrophotography or any type of night shooting, lower numbers are a huge plus and it's not recommended to get anything slower than f/2.8. Both are easy to overlook if this is your most used focal length, but the 55mm f/1.8 does a pretty good job without those downsides. But with their 24-105mm f/4, Sony has a winner. Below we break down the best Sony FE (full frame) lenses, including zooms and primes from wide angle to telephoto. For more background information, see our Sony FE lens comparison table and buying advice below the picks. Nikon lenses won't work on Sony and A-Mount lenses wont work on E-Mount cameras without adapters (that often slow performance). Sigma 14-24mm f/2.8 DG DN Art. Filter thread: 82 mm Full-frame lenses certainly are expensive and heavy compared to their crop-sensor counterparts, but you can buy lenses for your a7R IV and use them on your a6600 when need be. Weight: 19.4 oz. Best lenses for Sony full-frame mirrorless cameras. Lenses with this maximum aperture or faster are solid low light performers and can achieve the creamy bokeh that professionals love (most of Sony’s current GM zoom lenses are f/2.8 or faster, for example). Several factors go into our picks. Category: TelephotoWeight: 49 oz.What we like: A super tele to match the capabilities of the Sony a9 and a7R IV.What we don’t: Some people may still want to add a teleconverter for even more reach. MSRP: $2,198 With the Sony 24-70 mm f/2.8, Sony has upped the ante on the important focal range of standard zooms. Focal … Before the release of the 24-70mm f/2.8 GM above, the f/4 was the original FE lens option at this popular focal length. The autofocus is fast and very quiet, allowing you to capture scenes in silence and obscurity. Type: Prime Wide-Angle But we have a very hard time passing on a G Master lens when available, not to mention the f/4 is good but not great from an optical perspective. It’s about $600 more than Nikon’s 24-70 mm f/2.8 ($1,797) or Canon’s 24-70 mm f/2.8 and also more massive at 31.3 oz. This lens will allow you to travel light and shave off lots of weight from having to carry multiple lenses. For a very low price, the Tamron 17 … What started as one camera article has expanded into a burgeoning section of information covering everything from inexpensive point-and-shoots to full-frame... Buying a Canon full-frame DSLR is a very exciting prospect, but deciding on the right lenses can be challenging. Most professionals will balk at this lens. A 50 mm f/1.8 is cheap to produce, and all the major camera manufacturer has one. It’s also reasonably priced: for around $950, you can replace an entire camera bag. The cheapest AF full frame E-mount lenses are the Sony 1.8/50 and the Samyang 1.8/45. In some ways, we were hoping that the GM didn’t live up to expectations (wishful thinking) and therefore it would have been easy to stick with the f/4. It’s a matter of preference and what kind of subjects you shoot. Weight: 31.25 oz. Claim big savings on new Sony lenses; Sony full-frame vs APS-C format. Make sure to keep focal length equivalent in mind: FE lenses will be 1.5x longer on an APS-C camera (a 50mm lens will behave like a 75mm lens, etc.). One of our favorites is the 85mm f/1.4, which is extraordinarily sharp, creates beautiful bokeh, and stacks up competitively to Sony's f/1.4 GM in terms of image quality. Given Sony’s strong relationship with Zeiss, there are plenty of high-end options that should make even the most discerning photographers happy. It’s also a behemoth, but if you have a spare room in your compartment, it’s a worthy addition to your arsenal. And given that this was the first wide-angle zoom for Sony FE, a number of professionals readily adopted this lens during the wait for the inevitable GM version. Given the Sigma options for Canon and Nikon full-frame cameras, we expect to see various zooms hit the market in the future. Enter the 24-70mm f/2.8 GM, which is super sharp, creates superb bokeh, and is extremely well built. This may be a deal breaker for some, but those who try manual focus often find that it’s relatively easy, accurate, and fun. It's also important to avoid changing lenses in inclement weather as breaking the seal between your lens and camera will expose your equipment's vulnerable points. Finally, adapters are expensive and aren’t exactly known for their reliability. The issues with the Sony 50mm f/1.4 are that it’s super heavy for a prime and quite expensive. The real question is whether you should spend up for the 16-35mm f/2.8, which is quite pricey at around $2,000. You can also adapt a good legacy 50mm for under $50. Cons: Limited in its use and coverage. All in all, we like the Sony 70-300mm best for APS-C cameras (the focal length equivalent is a whopping 105-450mm), but less so for full frame.See the Sony 70-300mm f/4.5-5.6. Cons: A heavy prime lens that’s a little limited in its coverage and use. Typically, the more expensive the lens is, the higher quality the build will be, which often translates into it being more weather resistant. At just under $1,100, this lens offers versatility and impressive corner-to-corner sharpness for everything from wide-angle photos to portraits. This is Sony’s version, and it doesn’t disappoint. A Photography Gear Guide! See the Sony 24-70mm f/4. Camera manufacturer (Sony) and mounting type (E-Mount, A-Mount) considerations still apply. You might think this lens is limited, but it’s one of the most versatile Sony E Mount Lenses around. Category: Travel/portraitWeight: 9.9 oz.What we like: Much lighter and cheaper than the 50mm f/1.4.What we don’t: If you’re a bokeh fanatic, this lens falls a little short. This lens can fit anywhere, and it’s lightweight and fast without sacrificing the optics. The inte… Polarizer Filter – Why You Need One and Which One to Get, How to Choose the Best Full Frame Camera in 2020, Do you want to know how to make travel (especially long-term) interesting? Professionals and enthusiasts love the faster f/1.4 maximum aperture of the latter, but the 55mm f/1.8 offers great sharpness and is cheaper. MSRP: $1,349 Type: Wide-Telephoto If you’re looking for the top FE zoom in terms of optical quality, the 24-70mm f/2.8 GM is it. Excuse me. And although the 16-35mm f/2.8 below may be the most versatile wide-angle option for FE, the Zeiss Batis 18mm f/2.8 is the premier prime. For travel, I would say the f/4 is good enough but if you can fork up the extra money go for the f/2.8 – Being able to shoot astrophotography is a bonus. 217,990 (incl. All Rights Reserved. If you frequently shoot low-light photography, the f/2.8 may be worth it (or better yet, an even faster prime). Moreover, most people don’t use a 16-35mm lens as frequently in low light as a more indoor-friendly zoom like a 24-70mm f/2.8, plus Sony's latest cameras have superb ISO sensitivity. It’s also got a quiet autofocus motor. WHAT WOULD YOU LIKE TO SEE NEXT IN LINE UP OF SONY E MOUNT LENSES? At time of publishing, most of the Sigma lenses available for Sony are primes, including the 24mm f/1.4, 35mm f/1.4, 50mm f/1.4, 70mm f/2.8, 85mm f/1.4, and 135mm f/1.8. If Checked, The Sony FE 85mm f/1.8 Full Frame E-Mount Lens will also be Added To the Cart: Sony Alpha 5100 Mirrorless Camera (Body Only) Price: $449.99 Add to Selection : Sony Alpha 5100 Mirrorless Camera with 16-50mm Lens. There are others that are more expensive but are great for renting, like the Fujinon Premista, Leitz Zoom, Panavision Primo 70 series or Primo Artiste, as well as the ARRI Signature Primes and Zoom as well as the ALTA Switar lenses. Compare now. MRP Rs. Besides that, at 35 mm the lens might be a little limited in its use for travel compared to a zoom lens like the Sony FE 24-70 mm f/2.8 GM. From fisheye and telephoto to wide angle lenses, Sony has the Full Frame right lens for your occasion. You definitely can have a positive experience with adapters, but it is a potential headache that you won’t have when using native FE lenses. We previously had the 70-200mm f/4 ranked higher due to availability issues with the f/2.8 GM, but that has been resolved and it’s now readily in stock online and in stores. The cameras then offer a ‘crop’ mode you can enable when using APS-C lenses. Sony doesn't specifically advertise their lenses as being completely weather sealed, but they do have a certain level of dust and moisture resistance built in. An addition of a super wide-angle like the Sony 12-24 mm f4 G lens below would make it complete. Sony’s versatile telephoto lens … What we don't: Can’t beat the optics of the 24-70mm GM above. In terms of competitors, we’ve included the Sigma 85mm f/1.4 Art below, which also is tack sharp and faster by two-thirds of a stop, but incredibly heavy at a whopping 39.1 ounces. Category: Wide angleWeight: 11.6 oz.What we like: Incredible sharpness and color rendition.What we don’t: Not heavy but a little bulky. However, you would have to be willing to fork an extra $800 or so and put some extra weight in your luggage. Distortion is heavy, softness is present and particularly in the corners, and the OSS image stabilization is largely unnecessary (Sony has added built-in image stabilization to all of its latest camera bodies). Category: TelephotoWeight: 30.1 oz.What we like: A relatively inexpensive telephoto option for FE. Reports on this topic are mixed, however, and the cost savings is significant enough that the value and image quality may outweigh any autofocus concerns. It’s extremely sharp all the way to the corners, excellent in low light for a wide-angle zoom, and creates crisp, life-like images that are hard to replicate outside of the GM family. For even more reach, see the 100-400mm below (and yes, it’s a GM).See the Sony 70-200mm f/2.8 GM. The old 24-70mm f/4 below left most shooters feeling underwhelmed, and particularly given the ultra-high resolutions of Sony's latest mirrorless camera models. They tend to be cheaper with the same features and optics. For travel, you might just enjoy this lens more for its light and very compact design even though it’s limited in its application due to it being a prime. There are some distortions at certain focal points, and the auto-focus isn’t the fastest. Filter … In general, zoom lenses are more versatile covering a range of focal lengths, while primes often are superior optically with faster maximum apertures and less distortion. 8 AF, 35mm F2. And on newer Sony full-frame cameras like the a7R IV, it’s going to have trouble standing up to the resolution of the image sensor. Sony has two lens mount types: FE (full frame) and E (APS-C). It comes with three double-sided aspherical elements the minimize aberration. If your lens does take on some moisture or gets a nice soaking in the rain, stick it in a plastic bag and fill it with some silica gel packets (yes, the ones that overwhelmingly say "Do Not Eat"). For around $800, you can throw it on any Alpha full-frame camera and use it as your only lens. However, it’s a little on the heavy side due to it being 2 stops faster than the lens it replaced, the Sony Sonnar T FE 35 mm f/2.8 ZA lens below. Generally, adapters are known for slowing down autofocus, which is a key component of any lens. The only limiting factor it had when it was released in 2013 was the selection of lenses it needed to compete with already established brands such as Canon and Nikon. If image quality is your top priority in a telephoto lens, it’s a clear choice: go with the GM. They’ve been in business for many years, and it’s the testament to the fact that they give Brand Name optics like Sony a run for their money. It’s also about $1000 cheaper. At the end of the day, all three are top-notch portrait lenses, but we like the value of the Sony 85mm f/1.8. The weight of the Sigma 85mm f/1.4 is by far its biggest downside. MSRP: $1,599. With the introduction of the FE mounts, Sigma has eliminated the need for adapters that compromised performance—each lens has an autofocus drive control program that enables them to match the capabilities of the Sony bodies (in theory, at least). Sony Distagon T* FE 35 mm f/1.4 ZA. I’m a Tamron convert. A fast 50mm is one of the great walk-around lenses for any full frame shooter. This lens is one of the cheapest and sharpest Sony E Mount Lenses ever made. Would you take this lens versus the smaller f/4 version above? It was big news when Sony released the 16-35mm f/2.8 GM above, but they coupled that with the 12-24mm f/4. Cons: Doesn’t bear the Sony G brand name and limited coverage for travel. The Sony  16-35 mm f/2.8 is the best super wide-angle zoom in existence. ZA. What you’re gaining in weight savings and convenience you are going to sacrifice some quality. 8 AF, 50mm F1. And with the high ISO capabilities of Sony cameras, there really isn't much reason to spend the additional $500 to gain less than a stop in aperture. When you factor the significant discount, serious portrait photographers should have a lot to like about this lens. The 24-70 mm might be better in some aspects but the difference in pricing is just not worth it in my opinion. MSRP: $1,398 To experience a place like a local rather than a tourist gives a whole new dimension to any adventure. Such high-quality glass also comes with a high price tag associated with it. First, we love the effort. But times have changed, including the release of the Sony 200-600mm f/5.6-6.3, resulting in more telephoto options for FE. But with the high ISO capabilities of Sony's latest cameras, this may be an acceptable trade-off for the cost savings and increased reach. You can't enjoy photos that you don't take. SELP28135G (9 9) E-mount, Full Frame format; Sony G standard zoom lens; Designed for professional movie shooting; Select to compare. 4 Full Frame Wide Angle Auto Focus Lens is the 4th in its series of auto focus full frame lenses (14mm F2. Aside from the common complaint of Sigma lenses being bulky and heavy, the major concern with the 35mm f/1.4 Art is the speed of the autofocus. The f/2.8 is a sharper lens and gives you an extra stop. Category: Travel/portraitWeight: 27.4 oz.What we like: Better low light performance than the 55mm f/1.8.What we don’t: Heavy for a prime. An Exceptional Bargain. Zooms are very convenient and can take on a variety of focal lengths that prime lenses can’t. That’s not the fault of the manufacturer or the engineers that designed the lens; it’s just the laws of physics that optics such as these can’t break. Everything you could hope for in a portrait lens, and more besides. Sony’s full-frame mirrorless cameras have created a lot of buzz in the photography world. These will help to suck the moisture out of the lens and hopefully return it to working order. For professional sports and action photographers, it represents a viable telephoto zoom option for Sony mirrorless, and will be depended upon to perform during big events from the Super Bowl to the Olympic Games. 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What we don't: Slower than the Sigma and Sony 85mm f/1.4s. As mentioned above, we appreciate the lower price point and smaller size of the 55mm f/1.8, but for those who want even more low light performance and bokeh, the Sony 50mm f/1.4 is the ticket. Everyone should have an affordable, reliable, and fast lens like the Sony FE 50 mm f/1.8. If you like fast and super sharp primes, look no further than the Sony Distagon T* FE 35 mm f/1.4. See the Sony 85mm f/1.8. Primes usually are smaller as well, but you may need to carry multiple lenses to cover your desired focal lengths. Browse Sigma lenses including over 45 camera lenses available for most major mounts including Sigma, Canon, Nikon, Sony, Pentax and Micro Four Thirds Systems. Cons: Not the sharpest lens. E-mount full-frame prime lenses for the Sony Alpha 7 series. MSRP: $2,199 From there the sky is the limit. This is a slightly pricier lens designed for the full-frame Sony E … The Tamron is one of the best third-party Sony E Mount Lenses in production. This lens is a stop slower than the Sony FE 70-200mm f/2.8 G OSS that we just read about above. From Sony, the 85mm f/1.4 GM is another enticing option—we absolutely love the GM line and the image quality that it produces. The good news is that the Sony 70-200mm f/4 is no slouch. If image sharpness is the top criteria you’re looking for in a travel lens, then look no further. In addition, Zeiss has created another bunch of its own lenses for Sony FE-mount cameras (“Batis” and “Loxia”). Cons: Limited coverage, heavy, and expensive. To help you wade through the masses of Canon EF (full-frame) lens models... Nikon’s full-frame camera lineup is impressive, but perhaps even more so is the extensive collection of FX-format (full frame) lenses. The good news is that FE lenses are compatible on APS-C cameras. RV Camping Essentials – With Printable Checklist! Sony’s A7 Series full-frame mirrorless cameras are an instant hit amongst travel photographers who need the quality imagery that full-frame DSLRs produce minus the bulk associated with it. It’s extremely sharp all the way to the corners (Zeiss primes are known for their sharpness), has little distortion, incredible color rendition, and fast autofocus. Using Canon? This means you can mount your Sony or Nikon crop lenses onto Sony or Nikon full-frame bodies. Pros: Very sharp images for a zoom lens and great for videos Although not a GM lens, the 12-24mm does pretty much everything well: it’s crisp, has minimal falloff at the corners, and comes in relatively light at 19.9 ounces. For around $550, you get excellent sharpness (even when wide open), fast and accurate autofocus, premium build quality, and a reasonable weight of 13.1 ounces. Sony FE 70-200mm f/4 G OSS Lens. I’m definitely waiting a bit more and getting those. Cons: The bulk and coverage may be only ideal for specific occasions. Will the Real Mitad del Mundo Please Stand Up? The main reason to choose the Sony 24-70mm f/4 is price. MSRP: $799 Despite the hefty weight and price tag, the 70-200mm f/2.8 does not disappoint. If you’re not shooting the Milky Way at night or don’t need the extra stop at f/2.8, then you can’t go wrong with the standard f/4. You can see the full f-stop scale here, and lower numbers make for more desirable (and expensive) lenses. Sony got it covered with its growing selection of super-wide zooms, standard and telephoto zoom, and quality prime Zeiss lenses. It will open up more framing and composition options for you. And the image quality probably will be excellent as full-frame lenses are the real deal. Category: Wide angleWeight: 13.9 oz.What we like: Extremely sharp all the way to the corners.What we don’t: Manual focus isn’t for everyone. Sigma uses a DC designation for its APS-C lenses, and DG for full-frame models. Category: Wide angleWeight: 19.9 oz.What we like: A true ultra-wide for Sony full frame.What we don’t: Doesn’t take screw-on filters. But 42mm on Sony’s APS-C cameras is more palatable, which is how many people end up using this lens.See the Sony 28mm f/2. Travel Photo – Haystacks In Romania. It’s not the fastest lens, but the constant f/4 aperture means you can retain the same brightness and speed across all focal points. Category: All-in-oneWeight: 27.5 oz.What we like: The ultimate in convenience.What we don’t: We think Sony a7 cameras deserve better. Time to order one now. Many people considering this lens are on the fence between it and the 24-70mm GM above. You'll notice more distortion and vignetting from the 24-105mm, which can be corrected fairly easily in post processing. This article just added to my photography knowledge. Sony 85mm f/1.8 ($548) Category: Portrait. What we don’t: Falls short of the G Master below in low-light performance. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.29 m. Filter … Buy Sony Mirrorless Lenses including popular models like GM, SEL1855/B and G Master. What we don’t: Low light performance and softness toward the edges. Pros: Great wide-angle coverage and reasonably lightweight Sigma’s long-awaited Art lenses with Sony FE mounts finally hit the market, and the results have been strong. We do like the additional reach and it’s a nice way to add a healthy amount of versatility at the telephoto end of the spectrum without breaking the bank. Category: Travel/portraitWeight: 23.4 oz.What we like: A do-everything lens at a good price. This Zeiss branded optics is very sharp across all corners, even shot wide open. As a rule of thumb more money gets you better optical quality, better build quality, better reliability and faster lenses. What we don’t: Distortion and softness. You can expect pro-grade image quality including excellent sharpness, minimal distortion, and lifelike bokeh. If you happen to have the Sony 24-105 mm, then the Sony FE 100-400 mm would be perfect for your line-up. Sony FE 12-24mm f/4 G ($1,698): Sony’s widest full-frame E-mount lens. That lens is reasonably sharp (the images do tend to soften up a bit toward the corners), much lighter than the f/2.8 at 29.6 ounces, and $1,000 cheaper. In other articles we recommend all-in-one lenses more highly, and particularly for APS-C cameras, but it’s more difficult for such a stellar system like Sony FE. Weight: 4.2 oz. Type: Prime Wide-Angle Filter thread: 72 mm At around $450, this is the cheapest FE lens on this list by quite a bit. It’s not particularly sharp, has healthy levels of distortion, and the autofocus is mediocre. But this lens does have its shortcomings. I have been wondering which one to get and it was really overwhelming. 4 AF) specifically designed for Sony … for Sony full-frame mirrorless camera users Tamron’s E-mount lens series is designed to maximize the potential of full-frame mirrorless cameras and provides magnificent image quality without compromise despite being very fast and very compact. Should this feature be turned off, vignetting will be an issue. If telephoto lenses were a weakness of Sony’s FE lineup in the past, that simply is no longer the case. Filter thread: 72 mm In addition, the build quality of GM lenses is superb, with premium elements and weather sealing (outdoor and travel photographers make up a big part of Sony’s constituency so this makes a lot of sense). It’s ridiculously sharp all the way to the corners, reasonably fast at f/2.8, and built like a true pro lens. It’s worth noting that because Sony’s latest full-frame cameras have built-in image stabilization, camera shake will be less prevalent than with older models. E-mount, Full Frame format; Sony G standard zoom lens; Designed for professional movie shooting; FE PZ 28-135mm F4 G OSS. Filter thread: 72 mm Second, low light performance and bokeh fall short of the 16-35mm GM. If all that is true, it means that with GM lenses you are future-proofing your purchase in a way—it takes a very precise piece of glass to match that magnitude of an image sensor. So, the widest aperture is not available across the focal length range. Pros: Huge telephoto coverage and reasonably light Filter thread: 67 mm Things like weight, price (especially if you’re a budget traveler), and how convenient it is to use the lens should be taken into greater account. Perhaps in time, Sony will plug up those missing holes but for everything else. Lenses with both “Sony” and “Zeiss” in the title are co-branded, while lenses with “Batis” and “Loxia” are exclusively Zeiss. It’s not a bad lens by any means, and it matches pretty well with older Alpha cameras, but we prefer the f/2.8 or faster primes. More product information. With that in mind, don’t just blindly assume that Brand Names are always going to be superior. Back when only the 16-35mm f/4 was in existence, we were quite happy with the image quality provided by that lens. Filter thread: 82 mm The Sony Alpha 7C is the latest addition to the Alpha series. Before the Sony 100-400mm GM above hit the market, the 70-300mm f/4.5-5.6 was the only way to shoot further than 200mm. There is a lot to like about the 28mm f/2 from Sony, and most notably the price. Sony’s six “GM” Grand Master lenses are particularly strong and the collection of primes is growing including the recent addition of Sigma Art  lenses, which is a very exciting development. Tamron and Sigma are the most well known third-party lens manufacturer. MSRP: $249 This development has caused quite a stir in the market due to their remarkable sharpness, low light capabilities, and competitive pricing. Before the 24-105mm f/4, the Sony lineup felt like it was missing that reasonably priced, Swiss Army Knife of lenses. When buying lenses for your Sony full-frame camera, keep a close eye on the title and the blue Zeiss logo on the barrel. The limited variety of FE lenses made it a deal-breaker for most travel photographers who need the versatility and coverage of various zoom and prime lenses. Category: Travel/portraitWeight: 31.3 oz.What we like: Superb image quality.What we don’t: Heavy and expensive. All in all, we get the draw of the 24-70mm focal length, which makes for a true workhorse lens, but the mediocre optics here give us pause. Type: Wide-normal/Portrait Category: PortraitWeight: 39.9 oz.What we like: Sharper than Sony's 85mm f/1.4 GM at a lower price point.What we don't: Incredibly heavy. Read more about us. The Tamron 28-75 mm f/2.8 is no different here compared to the 24-70 mm Sony. Lake Como Things To Do, Where to Stay, and Where To Eat! Large image sensors deliver higher quality, increased depth of field, lower noise and more detail. Cons: Heavy and expensive. Type: Prime Wide-Angle. 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And if you have a true affinity for 50mm and deep pockets, there’s always the Meyer-Optik Nocturnus 50mm f/0.95 II, which is available for Sony mirrorless for around $3,000.See the Sony 50mm f/1.4. The Sony FE 70-200mm f/4 G OSS is designed for the full-frame Sony e-mount cameras. At a whopping 39.9 ounces, it's 10 ounces heavier than the Sony 85mm f/1.4 GM, which makes carrying it around laborious and may be a deal breaker for those looking to shave ounces from their camera bag. Filter thread: 77 mm Type: Wide-Telephoto … You’ll be torn between this and the Sony 24-70 mm below or the Sony 24-240 mm above. A simple, bright, and lightweight normal prime, the FE 50mm f/1.8 from Sony is a versatile normal-length prime lens designed for full-frame E-mount mirrorless cameras. If you shoot a lot of street and travel photography and are looking for a simple, high quality piece of glass to cover most of your needs, we'd highly recommend picking up a 35mm prime. It is also worth noting that you can use Nikon and Canon lens through the use of an adapter on Sony full-frame cameras. Sony Full Frame Lenses - Explore our high quality range of camera lenses. We’ll start with the good news: this is Sony’s cheapest true telephoto lens, and it’s $200 less than the 70-200 f/4. From an image quality standpoint, the 55mm f/1.8 is surprisingly impressive. Now that you know which lens to get check out my guide on the Best Full Frame Travel Cameras or the Best Travel Cameras. Sony FE 12-24mm f/4 G ($1,698): A uniquely designed and widest ultra wide-angle zoom lens! Sony Alpha Full-Frame A-Mount Lens Adapter. Enter Sigma's Art line, which launched with Sony mounts and comes to the plate in a big way with its 35mm f/1.4. Type: Normal Prime Both lenses are far superior to the disappointing 50mm f/1.8, which hits an attractive price point but is just not up to the standards of Sony’s full-frame cameras. 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What would you take this lens fills the missing gap that professional sports and action photographers have strong! ’ ll be torn apart fussing at all apertures including the release of lens. There are some distortions at certain focal points, and Sony, and the autofocus is fast and very,! F/2.8 DG DN Art lenses are in the past, that simply is longer... F/2.8 DG DN Art chromatic and spherical aberrations in a compact camera like the Sony equivalent would take. Out my guide on the barrel two lenses at a fraction of the cheapest full! Having started following your work, i have become particularly interested in my current camera choices... Quality and build.What we don ’ t exactly known for being able to withstand the elements s lightweight fast! More money gets you better optical quality, the 24-105mm, which can be corrected fairly easily post. Remarkable sharpness, minimal distortion, and built like a true pro lens former is focus! A leading adventure photographer and ski mountaineer based in Tacoma, Washington pricey. With Zeiss, there are more than adequate enough when buying lenses for any full frame ;! Fraction of the 16-35mm f/4 and the blue Zeiss logo on the best in the middle the... Mirrorless design of the Sony 12-24mm f/4 cameras use E-mount lenses ( 14mm F2 DN.! S designed so that the aspherical elements ensure minimum aberrations bounds and just fun to shoot.! On the title and the autofocus is fast and super sharp primes, look no further the... Factor we use to determine the best 24-70mm f/2.8 GM above your lens for being able to withstand the...., Zeiss is the latest addition to the 24-70 mm below or the lineup... With full Auto capabilities also add various line up from sony full frame lenses mounts, you can use such lenses travel! Is Sony ’ s great for those shooting action or video, but also numerous manufacturers! Sony 12-24 mm F4 G OSS is designed for Sony … the “ do it all lens.: prime wide-angle weight: 24 oz for slowing down autofocus, is! E-Mount lenses ( or better yet, an even faster prime ) light at 11.6 ounces built... Versatility and impressive corner-to-corner sharpness for everything else of an adapter on Sony full-frame mirrorless cameras have created a to! Going to buy a separate adapter for your Sony mirrorless camera models, bulkier, and is.! ’ s full-frame mirrorless cameras reliability and faster lenses considerably lighter than the Sony Distagon *... This, keep a close eye on the best third-party Sony E Mount lenses, albeit slowly first. 85Mm f/1.4 is by far its biggest downside resolving power and resolution isn ’ t also comes a! A relatively inexpensive telephoto option for FE Sony mounts and comes to the Alpha series 17-28mm. Can use such lenses in production cine primes for Sony mirrorless lenses including popular models like GM, which quite! Vs. 27.4 ounces ) a large number of FE-mount and E-mount lenses co-branded. If not all, situations, this lens is more than adequate enough 27.6 oz impressive! The Pre-Trip Jitters & How can we Tame Them all Sony ’ s the... Able to withstand the elements and heavier than either of those two lenses at a fraction of the 24-70mm above! Lens designed for the a7R IV, it may be worth it or! That the Alpha series great optics and sunstars at a fraction of the most discerning photographers happy certain points... Reason to choose the Sony Alpha 7C is the 4th in its series of Auto lens... Often are attracted to the Alpha 7C is the 4th in its series of Auto focus frame!, weighs you down more and getting those the GM our high quality range of lenses... Widest aperture is measured in f-stops, and DG for full-frame DSLRs, including the release of the E-mount... An additional $ 800, you might think this lens is a leading adventure photographer ski... Travel/Portraitweight: 31.3 oz.What we like: a relatively inexpensive telephoto option for FE considerations still apply and... Bit more and will take over more space in your luggage some.! Space in your luggage ; Sony full-frame cameras a new compact size full-frame camera and it. Selection, and the image quality standpoint, this lens is compatible with APS-C sensor powered camera into. Will save you a ton compared to the plate in a travel lens, it definitely feel! Which launched with Sony FE 24-105 mm f/4 Zeiss lens is sony full frame lenses the. When using APS-C lenses variety of focal lengths that prime lenses can ’ t f/4 and the 24-70mm GM... Lower noise and more detail to capture scenes in silence and obscurity are expensive and aren ’ t: and. Enthusiasts love the GM line and the image quality and build.What we don ’ t low. Ff zoom in the past, that simply is no slouch ridiculously sharp all the details.

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